最低音歌手;
when he worked at the times literary supplement in the 1980s he was known as "basso profundo" because of his extremely deep voice.
在1980年代他还在《泰晤士报文学副刊》工作时,由于他极其深沉的嗓音,大家都把他称为“男低音歌手”。
behind the basso profundo may be lurking a figaro-like baritone, as much in tune with the comedy of life as its tragedy.
在深沉的男低音背后或许就潜藏着一位费加罗式的男中音角色,无论与人生的喜剧还是悲剧,都是一样的复合音调。
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