Alberti的例句大全

Alberti was one of the first to use the arch on a monumental.

阿尔贝蒂是第一个使用拱上一座丰碑.

And yet, at least in the West, the growth model is now as fleeting as Proust's Albertine Simonet: Coming and going, with busts following booms and booms following busts, while an ideal world of steady, inclusive, long-lasting growth fades away.

不过，至少在西方，增长模式如今就像普鲁斯特笔下的阿尔贝蒂娜·西莫内（Albertine Simonet）那样捉摸不定：来了又去，萧条过后是繁荣，繁荣过后又是萧条，而那种稳定、包容而持久增长的理想世界却渐行渐远。

But the whole phrase, taken with what we already know of Alberti's thought, elucidates his completely new approach to the art of painting.

但是整条短语，业已囊括了我们已知的阿尔贝蒂所具有的思想，同时此短语也充分阐明了阿尔贝蒂有关绘画艺术所采用的全新方式。

Leon Battista Alberti was a painter, sculptor, architect, musician, poet,

Leon Battista Alberti是一位画家、雕塑家、建筑家、音乐家、诗人，

These two great "moderns" differed, however, in one important respect: Alberti tried to attain the common goal by perfecting the method – Leonardo, by expanding and elaborating the material.

这两个伟大的“现代人”有一重要的区别：阿尔伯蒂试图通过完善方法来达到众所周知的目标，而莱昂纳多则是拓展并拟定材料。

The work is consisted of three parts, the first part discusses Alberti's program of the centrally planned church and its symbolic significance.

全文由三个部分构成，论述了阿尔贝蒂的集中式教堂设计及其宗教象征意义；

Although the treatise may appear at first glance to rest on rather unstable ground, Alberti reassures the reader and buttresses his theory with the logic of mathematics.

虽然论文乍看起来立论不够扎实，但阿尔贝蒂以其严谨的数学逻辑来支持他的理论并使读者信服。

But today I'd like to consider an influential Italian Renaissance artist, Leon Battista Alberti, who took a slightly different approach.

不过今天我想来讲讲一位颇具影响力的意大利文艺复兴艺术家Leon Battista Alberti，他的做法有些不同。

The whole perspective construction is based on monocular vision and is approached by an analysis of vision in which Alberti examines the way bodies seem to change their appearance.

整个透视结构是依据单眼视觉和一种阿尔贝蒂研究的那些似乎改变他们外观形象的视觉分析方式而构建的。