Lu Xun的例句大全

The Vanward Colour of Lu Xun's Narrative Novels

鲁迅小说叙事的先锋色彩

With LU Xun's narrative view, this thesis expatiates the narrative artifice, the strategy and the vanward colour.

本文拟从鲁迅叙事本体的角度试叙鲁迅小说的叙事技巧、策略及其先锋色彩。

Lu Xun was a successor of our national traditional culture as well as a pioneer of our national new cultural revolution.

鲁迅是我国新文化革命的先驱，同时也是我国传统文化的传承者。

On Lu Xun's Points of View of Children and Children Literature

论鲁迅儿童观与儿童文学观

The comparative literature Value in LU Xun s work Bringing Principle lies that firstly it includes implicit global awareness and world viewpoint;

鲁迅拿来主义的比较文学价值首先是具有隐含的全球意识，世界眼光；

Lu Xun's culture paradox thought includes three aspects.

鲁迅的文化悖论思维分三个层面。

From Lu Xun's" After Nara Leaves Home", readers can sense the different understandings of women's liberation and destiny by Lu Xun and Henrick Ibsen due to their different cultural backgrounds and values.

鲁迅的《娜拉出走后怎么办》，让读者看到了鲁迅和易卜生在不同文化背景和价值取向下对女性解放及其命运的不同理解。

In aesthetics, he thought that literature works were the account in author's own words and his novels belong to romantism aesthetics category and are different from realism aesthetics category which emphasizes the fusion of subject and object in LU Xun and Mao Dun's novels.

在美学范畴上，他主张文学作品都是作家的自叙传，有别于鲁迅、茅盾等注重主客体交融的现实主义美学范畴，属于主观表现的浪漫主义美学范畴。

Lu Xun was engaged in writing all through his lifetime, leaving behind an immense number of books.

鲁迅笔耕一生，留下了大量著述。

The modern Chinese society with increased deposit of poverty and weakness made Lu Xun ponder constantly the issue of reform of the status quo-the modernization of the country.

因处身于近现代积贫积弱的中国社会，使得鲁迅的思想未曾须臾离开如何变革现状也就是使中国现代化的问题。

This point difference caused the Japanese nationality which Lu Xun thought to surpass China.

这一点区别导致了鲁迅认为的日本国民性要优于中国。

Some lighter said he thinks he's famous writers, sell hides, common some plasters that we love of lu xun, old. . . Such various.

轻些的说他自以为著名文豪，卖狗皮膏药，平常一些的说是我们敬爱的鲁迅先生老了……诸如此类种种。

Literature text creation of time and space with the space-time consciousness and writer on the temporal and spatial experience are inseparable, Mr. Lu Xun is no exception.

文学文本创作的时空体同作家的时空意识和对时空的体验是密不可分的，鲁迅先生也不例外。

Lightening Soul& On the Relationship between Lu Xun and Buddhism

温暖灵魂的一束光辉&鲁迅与佛学因缘谈

Searching for Proportionality in WTO Laws Lu Xun and Literary Exchange between China and France

寻找WTO法中的比例原则鲁迅与中法文学交流

During the period of 1924 to 1926, Lu Xun created "Loitering""Weeds""Sequence to the Huagai Collection" and part works of the "Graveyard".

1924&1926年里，鲁迅创作了《彷徨》、《野草》、《华盖集》、《华盖集续编》及《坟》中的部分作品。

On Lu Xun s Learning from the Japanese Birch School; Fundamentality of Experience& To Discuss the Difference between "New Study Poem" and "New School Poem" from the Impact of Exotic Culture

别求新声于异邦论鲁迅对日本白桦派文学的借鉴经验的根本从外来文化的影响谈新学诗和新派诗的区别

Value Direction of Surmounting the Visual Threshold of Left-wing Literary and Art Circles in 1930's& Lu Xun and the Occurrence of Chinese Left-wing Literature, Part ⅲ

超越30年代左翼文艺界视阈的价值指向&鲁迅与中国左翼文学的发生之三

"The Root of This Disease Lies in the Fact That I Live in the Human World"& Recognition of Lu Xun s Tragic Outlook of Life and His Literary Viewpoint

“这病痛的根柢就在我活在人间”&对鲁迅悲剧人生观和文学观的再认识

A comparison between Lu Xun and Kafka Ultimately Seeking to the Life& On the reflection of life in Anna Karenina

当终极消失以后鲁迅与卡夫卡比较论生命的终极探求浅论《安娜·卡列尼娜》中的生命思考