意笔

As far as the relationship between form and content, language and meaning and painting and conception is concerned in Chinese ancient artistic creation, all of the former are determined by the latter.

中国古代艺术创作论在形式与内容、言与意、笔与意的关系上是后者决定前者的。

Therefore the transformation of traditional Chinese freehand figure painting in the beginning of 20~ ( th) century is inevitable.

20世纪初中国传统意笔人物画走向现代化的变革之路是势在必然的。

Talk about the aesthetic characteristic of the pen figure painting of purpose simply

浅论意笔人物画的审美特征

From the point of colors in traditional Chinese figure painting, there remain some forms, i.e.the using of original colors, of mixed colors and of mixture colors and wash drawing and so on.

就意笔人物画的设色来看，综合起来，不外这样几种方式，即：原色的使用、调合色的使用以及色墨的混合运用等。

The second section expounds the process of Chinese freehand figure painting to modernization.

第二部分论述了中国意笔人物画走向现代化的演变历程。

Research and analysis of Chinese characters, especially Italian painting pen figure drawing concepts unique style and aesthetic taste as well as contemporary environments manner of Chinese painting figure painting figure painting trend of development, the characteristics of reading materials.

研究和分析中国人物绘画尤其是意笔人物绘画的独特的造型理念和审美趣味方式以及当代环境下中国画的人物绘画发展趋势来品读人物画的特征。

Ceramic art and free-hand brush painting of bird and flower

意笔花鸟与陶瓷艺术

Doodle Note is specially designed for full screen note taking!

这是专为全屏幕设计的随意笔记！

The third section is the rethinking on the process of Chinese freehand figure painting toward modernization.

第三部分是对中国意笔人物画走向现代化的反思。

Impressionistic Painting is to express emotions, for the purpose of the spirit of the thought of Painting, and Freehand drawing is relative to the meticulous painting by two art forms which is from the technical level of distinction.

写意画是以表达情绪、思想等精神为目的绘画，意笔是相对于工笔的两种绘画形态，是从技术层面上的区分。

The Evolution of Chinese and western Painting On the Application of Line and Ink in the Poster

中西绘画发展探源水墨意笔绘画与印象主义绘画之比较承水墨之神韵创设计之新路论线墨在招贴中的运用

The internal reason is the downfall of the feudal society, on which the existence of traditional Chinese freehand figure painting relied, and the all-round crisis brew by contradiction between feudal culture and social development;

它的内在原因是传统意笔人物画赖以生存的封建社会早已进入衰亡期，封建文化与社会发展的内在龃龉从各方面酿成了全面危机；

Comparison of National Characteristics and Culture Connotations in Western and Chinese Myths The Evolution of Chinese and western Painting

试论中西方神话的民族属性与文化内涵中西绘画发展探源&水墨意笔绘画与印象主义绘画之比较

In traditional Chinese figure painting and white to other colors.

传统的意笔人物画,主要以水墨为主,用色很少.